This pattern recreates the Red Rose and Cream Lace Table Runner pictured, featuring an airy cream lace base built in a rounded scalloped motif, rich red layered roses, deep green leaves and buds, and a bold red scalloped edge. The runner is constructed from repeating floral motifs joined into an elongated runner and embellished with 3D appliqued roses and vines for a classic, romantic look. The stitch language uses common stitches (sc, hdc, dc, tr) plus shell and picot motifs to form the lace background and border.
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This pattern emphasizes assembly and applique placement — large rose appliques are made separately and sewn to the base, while vines and buds are surface-crocheted and sewn for depth. The pattern includes clear color-change notes and blocking guidance to help flatten lace and show the roses to best effect.
Why You’ll Love This Red Rose And Cream Lace Table Runner Pattern
I love this pattern because it blends delicate lacework with dramatic 3D roses — the contrast between airy cream background and deep red flowers is stunning. I appreciate how the applique roses give real dimensionality and the vines lead the eye along the runner. Working the shells and picots keeps the rhythm relaxing, while the floral assembly offers a satisfying finishing stage.
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Switch Things Up
I love how flexible this runner pattern is — I often change the rose color to soft pinks or deep burgundy depending on the season, and it dramatically changes the mood. You can make each motif a different accent color for a playful runner or keep everything tonal for a classic look.
I also like to change the number of motifs: fewer motifs create a small centerpiece mat, while more motifs form a long sideboard runner. Try a lighter lace yarn and a smaller hook for a delicate heirloom version, or an aran-weight cotton for a more modern, bold statement. Don’t be afraid to experiment with leaf shapes, bud sizes and surface embroidery to make the design uniquely yours.
Common Mistakes & How to Fix Them
✗ Skipping stitch markers at round starts can cause misaligned scallops and uneven joining; always mark the first stitch of each round.✗ Using yarn that is too loose or the wrong weight will make the lace floppy and the roses oversized; use the recommended gauge and hook size.✗ Not blocking each lace motif before assembly causes edges to sit unevenly; block motifs flat for consistent joining.✗ Overstuffing rose centers or rolling the rose strip too tightly creates a lumpy applique; roll evenly and sew with steady tension.✗ Sewing appliques before placing and pinning can create awkward placement; pin every rose and leaf in multiple places before sewing.✗ Carrying contrast yarn across open lace without securing creates visible floats; change colors at the end of a round or weave ends through motifs.✗ Ignoring yarn tails during assembly leads to unraveling after wash; weave in ends securely through multiple stitches.✗ Not testing a leaf template before mass-making leaves can result in mismatched sizes; make one test leaf to confirm scale.
Sarah
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Red Rose And Cream Lace Table Runner Pattern
A beautifully detailed table runner featuring layered red roses, delicate green leaves and an intricate cream lace background with a rich red scalloped border. This elegant runner is perfect for dining tables, buffets or as a centerpiece for special occasions. The pattern uses applique roses and vines sewn onto a repeating lace motif to create an elongated, scalloped runner shape. Clear round-by-round instructions and assembly tips help you recreate the romantic vintage look.
Intermediate8-10 Hours
Materials Needed for Red Rose And Cream Lace Table Runner Pattern
— Main Fabric
- 01Worsted weight yarn (#4), approximately 350-450g in Cream (light neutral) for the lace base and joining
- 02Worsted weight yarn (#4), approximately 180-220g in Deep Red for roses and outer scalloped border
- 03Worsted weight yarn (#4), approximately 120-160g in Leaf Green (two-tone is optional) for leaves, vines and buds
- 04Small amounts (10-20g) in Darker Green for shading on leaves and 5-10g in Bright Red for tiny bud highlights
— Tools Required
- 014.0 mm (G) crochet hook for main lace work (or size needed to obtain gauge)
- 023.5 mm (E) crochet hook for tighter applique work and rose details (optional)
- 03Tapestry/yarn needle for sewing appliques and weaving ends
- 04Scissors
- 05Stitch markers (at least 6) to mark motif repeats and round starts
- 06Blocking mat and rust-proof pins or blocking wires
- 07Measuring tape or ruler
- 08Optional: Small amount of polyester stuffing for slightly puffing rose centers (5-10 grams)
- 09Optional: Fabric glue for reinforcing appliques if desired (use sparingly)
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— Overview & Structure :
Info :
This runner is built from a repeating lace motif that forms the cream base; six motifs are worked in identical fashion and joined to form the elongated runner. Each motif is heavily embellished with 3D roses, leaves, buds and vines in red and green yarn. Work motifs flat in the round, block flat, then join motifs edge-to-edge using whip stitch or join-as-you-go. Finish with a red scalloped edging worked around the full runner perimeter. Read through all sections before beginning and work a gauge swatch if desired.
— Lace Motif (Make 6 identical motifs) :
Round 1 :
Start with cream yarn. mr, 6 sc in magic ring (6)
Round 2 :
Inc in each st around (12)
Round 3 :
(1 sc, inc) x 6 (18)
Round 4 :
(2 sc, inc) x 6 (24)
Round 5 :
(3 sc, inc) x 6 (30)
Round 6 :
(4 sc, inc) x 6 (36)
Round 7 :
(5 sc, inc) x 6 (42)
Round 8 :
(6 sc, inc) x 6 (48)
Info :
At this point the motif has a stable circular base of 48 stitches. Place a stitch marker in the first stitch to mark the start. Maintain markers to help identify the six cardinal points where scallops and lobes will form (one marker per 8-stitch segment is useful).
Round 9 :
1 sc in each st (48)
Round 10 :
1 sc in each st (48)
Round 11 :
*ch 3 (counts as dc), sk 1 st, dc in next st, ch 1, sk 1 st, dc in next st* around working 24 dc groups and 24 ch-1 spaces (48 stitch-worked spaces total but 24 shell anchors) (24 dc groups)
Info :
Round 11 creates a basic open mesh. The count shows 24 worked groups; you will have 24 chain-1 spaces which will be used in later rounds to create lobes and delicate picot decorations.
Round 12 :
Into each ch-1 space: (sc, ch2, 3 dc, ch2, sc) ; between groups sl st to next dc as needed (This keeps the motif circumference approximately 48 anchors)
Round 13 :
1 sc in each dc and sc around working into established stitches, maintaining 48 anchor points (48)
Round 14 :
Into every 8th anchor (marked cardinal points): work a lobe increase to begin the scalloped outline. *At cardinal anchor: (sc, hdc, 3 dc, hdc, sc) into same anchor*; between cardinal anchors work 1 sc in each anchor. You will add 5 extra stitches at each cardinal (5 x 6 = 30 extra stitches) so new overall count becomes 78 (48+30=78)
Info :
This round purposefully increases at six equally spaced anchors to form the beginning of lobes. Place temporary markers at the six points so you can match lobes when joining motifs later.
Round 15 :
1 sc in each st around (78)
Round 16 :
To create lace mesh between lobes: *(ch 4, sk 3 sc, sl st into next) repeat around* making 26 chain-4 picot arches evenly between scalloped lobes (maintain 78 working anchors by distributing chains evenly). (78 anchors)
Round 17 :
Work into chain-4 arches: (sc, ch3, 3 dc, ch3, sc) into each arch to make delicate petal-shaped scallops; there will be 26 of these units (78 stitch anchors after work)
Info :
At this stage you have a motif with defined scalloped lobes and multiple small arches—these provide secure places to attach rose appliques and leaves. Block the motif now: pin flat and steam/block per fiber instructions. Once blocked, the lobes will open and maintain shape when joined to other motifs.
Round 18 :
1 sc in each st (78)
Round 19 :
Work a shallow scallop around all lobes: *(sc in next 4 sts, 5 dc in next st (shell), sc in next 4 sts, sl st in next st)* repeat for 6 large scallops around the outline. Each shell uses 1 anchor; this pattern yields 6 shells and maintains total anchors around 78 by distributing sl sts and scs accordingly (78)
Info :
If your stitch count differs slightly because of yarn/gauge, adjust the number of plain sc between shells to keep shells evenly spaced around the motif outline. The key is 6 large scallops for the motif outline (one at each cardinal point) and smaller scallops between.
Round 20 :
1 sc in each st (78)
